The centre of the quilt has flatirons, ferns and roses with diamond infill.
The corner treatment is a flower plus simple feather motifs.Elegant but all fairly large scale.
Here is a photo of the reverse - this old gold and pink was a popular combination (the so-called custard and rhubarb!) The reverse is a brocade type cloth and you can see that the stitches are rather coarse.
You can still see the blue pencil markings - the quilt has been used and washed but the markings must have been robust as there are still many traces of these markings.
This is a close up of the reverse, you can see that the design created by the threads carried over the surface is a thistle in this case - a handsome fabric.
The clues that this quilt was made in Wales from a north country top:
The clues that this quilt was made in Wales from a north country top:
1) The quilt came from a seller in Llanelli - it belonged to the seller's aunt (Lillian) who lived there - the seller assumed that it was Welsh: it was probably bought very inexpensively at an auction or house clearance, which she liked to attend. The seller did not think Lillian had any connections with Durham or the north country area.
2) the wadding is a very thick blanket which is very likely a Welsh wool blanket - this accounts for the coarse stitching: the wadding is too thick to achieve finer stitches.
3) The edge treatment is typically Welsh and is neatly hand sewn.
Mavis Fitzrandolph in Traditional Quilting,states on page 43 of quilt stamper Mrs Peart of Allendale ...."in 1952 she was charging five shillings for marking a quilt top....and she had orders from many parts of England and even from parts of Wales... "
Mavis Fitzrandolph in Traditional Quilting,states on page 43 of quilt stamper Mrs Peart of Allendale ...."in 1952 she was charging five shillings for marking a quilt top....and she had orders from many parts of England and even from parts of Wales... "
Although there is no direct proof of this, I believe that this is one of the later North country tops that was sent to Wales and was completed by a Welsh quilter, using techniques that were familiar to her, and which were different to those techniques that would have been used by quilters in other parts of the UK.
wow, do you know if this was quilted on a frame? It must be difficult to quilt through a wool blanket. Thanks for sharing not just the pictures, but some of the history.
ReplyDeleteYes, all these Welsh and Durham quilts were quilted on a traditional quilting frame. The Welsh quilts were sometimes very thick and it is my understanding that the quilting needles were not betweens but very stout darning needles. I have tried a sample of quilting using a blanket and it was not an easy task...although I imagine that a nice old, worn blanket would have made the job easier!
ReplyDeletePippa
Have you tracked down any other North Country tops quilted in Wales? Interesting.
ReplyDeletethe quilting never ceases to amaze me on these quilts , just beautiful.
ReplyDeleteHappy Thanksgiving! Do you celebrate it in your home?
Kathie
I enjoyed reading about this - it's a beauty.
ReplyDeleteAnother beautiful example for wholecloth quilting - thank you for sharing! I really like those traditional and quite simple patterns and it's always a pleasure for me to use them in my own quilts. I feel honored to keep them alive! :-)
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